Art Rosenbaum, Got a Little Home to Go To (“5 String Banjo”). pressure from Sara, who felt strongly that his music and the kind of life I think ‘Turkey’, played in the key of E, sounds great in this tuning. Bob Carlin, Payday (“Where Did You Get That Hat?”). Dock Boggs, The Death of Jerry Damron (“Dock Boggs Vol 2”). Va. Mountain Music”). Eight wire-strung courses tuned like a Lute, plus about 15 diatonic bass strings on a harp frame, similar to the Harp-Guitar of the early 1900’s in the USA. buy.". Heath Curdts, Boll Weevil (“A Tribute to Tommy Jarrell”) Curdts says that Jarrell used it for Chilly Winds. dock boggs and roscoe holcomb both played one. middle finger to *pick* the melody on the first string while the index EE-AA-DD-GG-BB-EE, Low to high – strings tuned in octaves. The following scene gains a drone in the form of a single tone held softly on a squeezebox. Clyde Troxell, French Waltz, (“The Troxell Brothers: Troxsong”; also”Trad. Bob Carlin, Ninety Degrees, capo 2, to eEAEF# (“Banging & Sawing”). Dwight Diller, Sail Away Ladies (“Harvest: West Va. Mountain Music”). Tuned up to D, this becomes aDAC#E. The top two treble strings can be slightly out of tune from each other, creating a chorus double guitar kind of effect. Don Stover, Footprints in the Snow ( “My Blue Ridge Memories”, w/Herb Applin, Red Rector, Art Stamper, Tom Gray, and Roger Williams). fBbFCD. The Dock Boggs recording is in a true key of C# more or less so there's a challenge if you want to copy the key. John Cohen, John Johanna (“Old Time Banjo Project”). M.L. This tuning is like that of the lowest four strings in standard tuning. Wade Ward, Half Shaved (“High Atmosphere”). D G B E (re-entrant: 4th string (D) in higher octave similar to the ukelele. case Dock and Sara resettled to Mayking, Kentucky. within those limits, and expresses a personal sound. contract. John Burke, Eight More Miles to Louisville (Tab, BNL, Oct 1982). TRY NOW. A Peggy Seeger “dulcimer” tuning. Also, Dock would introduce interesting dissonances by playing in a D minor Gaither Carlton, Pretty Saro (“The Watson Family Tradition”). It's definitely possible to play "Sugar Baby" in Boggs' f#DGAD tuning (also key of D), but the drones will sound different. 4th string, “C”, is octaved), (North American version. musicians told him: "Aw, get out of the graveyard, Dock. Often heard in this tuning: Cumberland Gap; Sandy River Belles; Stoney Point. Alec Slater, Frost and Snow, A-Dorian (Tab in “Clawhammer Banjo Solos…”). Hub Mahaffey accompanied Dock on his session. that he got it by trading his watch for a gun, then trading the gun for the Dick Weissman, Music Box (“Old-Time Banjo Modern Style”). Dick Weissman, Country Blues (“New Directions in Folk Music”). Classical guitarists performing known transcriptions are assumed to be using predetermined and carefully defined tunings. George Gibson lists it as a variant of the "Moonshiner" gDGAD tuning; he plays in it a version of Texas Rangers that he learned from Mel Amburgey, a Knott County old-timer. (“Pete Steele: Banjo Tunes & Songs”). Dan Gellert, Liza Jane (“Old-Time Banjo in America”). Dwight Diller, Callaway (“Harvest: West Va. Mountain Music”). Joel Mabus, Kitchen Girl; Hen House Door “Clawhammer”). Dick Weissman, If He Had Stayed in Oregon (“Old-Time Banjo Modern Style”). SOLO. I dare say you could use a tenor ukelele, or even a tenor guitar, to stand-in for this instrument. George Stoneman, Sandy River Belle (“Clawhammer Banjo”). 50+ videos Play all Mix - "Prodigal Son" | Clifton Hicks (Dock Boggs) YouTube Clifton Hicks - "German War" - 2018 Banjo Gathering - Duration: 5:47. Art Rosenbaum, Little Birdie (“Art of the Mountain Banjo” and tab). contracts. 3 Special”). George Gibson lists it as a variant of the "Moonshiner" gDGAD tuning; he plays in it a version of Texas Rangersthat he learned from Mel Amburgey, a Knott County old-timer. FC is, I’m pretty sure, using the open-D tuning, changed up to E, in this performance of his song. Burl Hammons, Singing Birds (“Shaking Down the Acorns”; “Visits”). John Hartford, Gentle On My Mind (Tab, BNL, Apr 1992). It is his absolutely unique style which has brought him so much attention especially just recently from banjo players. Dock Boggs Sugar Baby Banjo Tab About Photos Mtgimage. This is taken from a nifty B-flat fiddle tune made up by Chirps Smith; it can be heard on “The Volo Bogtrotters: Backside of Buncombe”). But in bluegrass music, open G can mean G B D G B D. Generally, Open Tunings refer to the changing of string pitches to reproduce common Major and Minor chords. Today, most old-time musicians prefer to use their bare fingers when fingerpicking rather than using the metal fingerpicks and plastic thumbpick that bluegrass players […] This tuning may also be used with a capo at the third fret to match the common lute pitch: G-C-F-A-D-G; see Common Lute Tuning above. For one reason or another, Dock had a sudden attack of Mic Jars of Clay uses this unique tuning, especially on their older material, especially found on their self-titled album. The unusual gBbFBbD tuning is used for no other piece in the region [Cumberland Plateau, Kentucky].”. Don Stover, Things in Life (“Things in Life”). ), Arch Lute: same as Descant Lute, with extra bass strings tuned descending diatonically, D G C E A (Re-entrant tuning: G is octave higher. Snuffy Jenkins, Lonesome Road Blues (“American Banjo, Scruggs Style”). accompaniment, and a second to do twelve more sides with a band of Dock's John Herrmann, Polly Grant; Brushy Fork of John’s Creek (“Dirk Powell & John Herrmann”). (Although the liner notes say Sexton is playing this in fCFCD, key of F, I’m 99 & 44/100% sure he’s in gDGAD; and certainly in the key of G. Anyway, a very beautiful performance.) Later he ran into that man again and learned that the tuning was an accident; the 5th string peg had been slipping. Blanton Owen, Cumberland Gap (“Old Originals, vol 2”). Eric Weissberg, No Title Yet Blues (“New Dimensions in Banjo & Bluegrass”), tuning courtesy of Donald Zepp. Alternating among banjo, fiddle, and guitar, he draws on his encyclopaedic knowledge of the American folk canon. Virginia. Also, Bob Fulcher, French Waltz, in aCGCE (“Old Five String”). Tom Paley) consistently use Open-C rather than Double-C. Ray Stewart says it makes far better sense for The 8th of January and Turkey in the Straw than Double C. Tuned up to D, this becomes aDADF#, and as such has the name of “Quince Dillon’s High D”. "Mistreated Mama" - Sara Martin, vocal; piano acc. Dock was proud of earning enough money from his Bob Carlin, with James Bryan, Geese Honking (Wild Goose Chase) (“Banging & Sawing”). aEGBE). ARCHIVED TOPIC: Prodigal son, Dock Boggs. pension and Dock and Sara had a few difficult years surviving on their Benford discusses this major/minor tuning in BNL, May 1977. To provide a reference for some odd tunings used on recordings from various artists. APPS & DEVICES FEATURES BROWSE LOGIN TRY NOW. Online Banjo Lessons - Learn From Tony Trischka | Artistworks Guns N’ Roses favoured E flat tuning because it allowed Axl Rose’s voice to be accentuated on the high notes. Ray Stewart, Dry and Dusty (no recording). Tommy Jarrell’s open D-minor “Reuben” tuning. It allows for a low, heavy sound, while still maintaining the intervals present in standard tuning. Pete Steele, Coal Creek March (“Pete Steele”). The following information has been gathered to help sort out options for instrument tuning. I suggest tuning it like a Cittern, as the descriptions of it’s sound from period Ms. would seem to indicate a “5th” relationship tuning. The G-bass tuned up to the key of A. Jane Keefer, Sweet Sunny South (Tab in BNL, Sept. 1989). like mike said they were pretty … Boggs and His Cumberland Mountain Entertainers." Met muziekstreaming op Deezer kan je nu meer dan 56 miljoen nummers ontdekken, je eigen afspeellijsten maken en … John Rzeznik of the rock band Goo Goo Dolls uses this tuning on the studio recorded version of his song Iris, an international hit featured on the soundtrack of City Of Angels. that guitar? banjo. From the album "Excerpts from Interviews with Dock Boggs, Legendary Banjo Player and Singer" by Dock Boggs on Napster. Catalog Number. However, on a six string guitar (from low to high) it would be Bb, Eb, Ab, Db, F, Bb. RCA Victor offered a recording date in June of Darrell Hensley, Whiskey Before Breakfast (Tab, BNL, Feb 1987). gave up his hopes of playing thebanjo for living, and accepted his fate as The names of some tunings vary between genres, for example in Hawaiian Music, for slack-key guitar, an example would be the taro patch, or open G tuning, with strings low-high D-G-D-G-B-D. George Gibson says he learned this tuning from Clay Engle of Knott County, who in turned had learned it from an old black man. Fuzzy Mt. "I feel I made a mistake," Dock said, referring to retiring from his music, Molly Tenenbaum, Roscoe’s Gone, from the tune Hank Bradley made up in honor of Roscoe Holcomb (“And the Hillsides…”; Hank Bradley, “Hassle the Caller”). Open tunings are common in blues music and some rock and folk music. fright and was barely able to perform. If you want to use any of this information: Fred Cockerham, Long Steel Rail (“Clawhammer Banjo”, where it is claimed that Cockerham invented this tuning). I.e. A mando-cello will work here quite well). Ken Perlman (from Briggs’ “Banjo Instructor”, 1855), Dance, Boatman, Dance; Old Zip Coon (Tabs, BNL, Feb 1988). calling him Dock, and as he grew older Dock began to dislike his given Pete Steele, Little Birdie (“Pete Steele: Banjo Songs & Tunes”). Reed Island Rounders, Sugar Babe (“Wolves in the Wood”). Stallard, whom Dock's parents much admired. Mike Seeger, with Tracy Schwarz and John Cohen, Miner’s Lament, key of B (“New Lost City Ramblers: There Ain’t No Way Out”). Dock I read somewhere that Seeger picked up this tuning from an old country banjo player he encountered on his travels. He’ll release it with a show at The Grey Eagle on Sunday, Nov. 27. D Tuning View Cart. Frank Proffitt, Cumberland Gap (“High Atmosphere”). "Dock" Boggs was born February 7, 1898 in West Norton, Virginia. Hobart Smith, Last Chance (“Hobart Smith of Saltville, Virginia”). Mike Seeger, Roustabout (“Solo”). Tommy Jarrell, John Brown’s Dream (“More Clawhammer Banjo”). Dock Boggs ‎– Excerpts From Interviews With Dock Boggs, Legendary Banjo Player And Singer Label: Folkways Records ‎– FH 5458 ... "D" Tuning And Homer Crawford Guitar Playing: A6: Practicing And Timing For Record: A7: Playing For A Living; Trip To New York: A8: More About Learning To Play; Homer Crawford : A9: Comments While Looking Over Song Texts He Has … Ola Belle Reed, Boat’s Up the River; Doney Where You Been So Long (“Old Time Banjo in America”). The disadvantage is that not all major and minor chords can be played with all six strings at once. One or more of the strings is retuned to the appropriate note of the required scale. 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